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Asociación Técnica de Diarios Latinoamericanos
Boletín Semanal junio 23, 2019

Flipboard, the news curation platform, has aggregated stories from The New York Times to Vanity Fair to The Drum on mobile and its web client for over eight years.

Just recently, the company announced that its subscriber-based has reached 145 million, nearly halfway towards doubling the 100 million they had amassed in 2013.

The Drum spoke to the company’s founder and chief executive, Mike McCue, about how the company looks to keep momentum on its side, its philosophy towards publishers and advertisers, and how it avoids allowing fake news to disrupt its platform.

The print magazine plays inspiration for content — and for ads

“When we started Flipboard,” says McCue, “we were inspired by print: the printed magazine.”

It’s an interesting callback, as print has faced its toughest challenge in the past few years; as digital spaces became more robust, large print publishers have watched ad revenue spill into display ads and away from full-bleed pages. But McCue feels that there are lessons to learn from what made magazines a lasting platform in the first place.

“When you look at print, the ads and the content are given equal treatment, and the creative for the brand really comes through. You can have a beautiful full page ad, and you’re going to have a full page of editorial and it just works all the same — it just fits together. That’s the experience we strive for on Flipboard.”

That lesson teaches McCue’s team of 130 how they approach their ad products — working with brands to use the full screen space. This way, when a customer flips through the app interface, an ad can get as much of the user’s attention as a story they’re trying to find.

“Of course,” he adds, “it’s a mobile display, so we can do video, we can do more interactivity. Yet, it still feels like it’s just another piece of content.”


He cites Microsoft’s Surface PC, which takes up the full screen in ad space, but allows viewers to click a video embedded in it. And United, which uses something like a storyboard capability to allow users to take in its luxury flight experience by flipping through pictures and video.

“We’re really focused on doing work with really high-quality brands that have these beautiful ads that are a natural part of the user experience.”

Flipboard’s platform has also allowed brands to create bespoke sponsored content experiences. Sony, a longtime advertiser of Flipboard, has its own “magazine” called Alpha Universe, where it curates top photos from its fanbase. Airbnb has taken the idea of ‘experiences’ to the curation company as well, allowing Airbnb guests to enhance their accommodation with local events.

This variety of advertising solutions is important as Flipboard, unlike the glossy print that inspired its launch, is fully advertising-driven.

“We want to be known for really high-quality advertising that respects users time and attention. Not every brand can do that,” McCue admits, “but there brands like Sony or Patagonia that have high-quality content and want to get that content out there for users who are in the right frame of mind."

Algorithms, human curators, play buffer to fake news

As the misinforming propaganda known as fake news has cast a shadow over the media and social platforms, McCue informs The Drum that Flipboard has been taking the issue seriously, and long before fake news was even “a thing”.

“There’s no perfect scenario,” he admits. “There’s always somebody who can manage to get a fake news story in, so there’s no perfect situation.

“But we designed Flipboard in a way where we focused first on picking and finding quality sources and then having our algorithms have been magnified those sources and not just any source, so be very careful of the way we designed our algorithms and the way the feeds were constructed to make that they can be controlled by people in particular by turnips to return the algorithms over to the journalists to control them."

This is much like a Spotify, that relies heavily on its algorithm for music recommendations (and for the past couple of years, marketing campaigns. Except for Flipboard, a selection of veteran journalists get chosen to go through sources from all around the world, for topics ranging from politics to technology and from global publications to local ones to approve the validity of the stories themselves.

Although the platform has no political bias, Flipboard has had to keep less reputable news sites from being magnified by its algorithms. “Users can follow anything they want on Flipboard and we allow publishers who aren’t breaking the law. But when our algorithm magnifies a story and it ends up being something you see when you’re searching for political topics, those sources are vetted.

“So it’s much harder for fake news to even come into the picture,” McCue added that editors are constantly checking content on the site and assist with fine-tuning the algorithm.

Last November, Dow Jones and Uzabase launched their own news curation tool called NewsPicks, which touted a list of influencers including Richard Branson and Ariana Huffington suggest which news subscribers read — on top of pulling from publications of consequence like The Wall Street Journal, Bloomberg and Reuters.

When asked about what this may mean for Flipboard’s competitive advantage he states his belief that it spurned people to better appreciate the platform's approach and adds that Facebook has adopted some of Flipboard’s strategies in how it sifts through news for its billions of active users, adding that his company is very open about how they view the newsrooms of the future. And about how they can help.

McCue sees Facebook, and Twitter, which both compete with Flipboard as content distribution platforms, as allies in reshaping how mass publishers operate. A couple of months ago, McCue hosted heads of product from Facebook, Twitter, Google and Apple in an event with the News Literacy Project to address fake news and other forms of propaganda.

As much as the dissemination of accurate news falls on the platforms and publishers, he says that the people reading content have much responsibility as well. “It’s still up to the reader to understand and be able to discern what the truth is, what the motivation is behind an article. It’s a multifaceted approach to address this problem; it’s impacted our democracy as well as others around the world.

“We’re living in a new era now and it’s super important for us to collaborate, even with our competitors, to address these issues.”

Marching towards 200 million — and a better future for publishers

The evolution of Flipboard as an aggregator — or curation platform — has helped it creep closer to 150 million subscribers, and a little bit closer to 200 million. McCue calls the idea of reaching those high-water marks exciting but keeps the focus on keeping users locked in on Flipboard-picked content.

“As a product-focused CEO,” he says, “I think what really matters is how people are using Flipboard, how much they rely on the product in their day-to-day.” A year ago, the company added the ability to let readers personalize their own feeds around topics of their own choosing, something McCue calls really good progress.

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